Friday, October 21, 2011

Canon Speedlite 580EX Flash for Canon EOS SLR Digital Cameras - Older Version

!±8± Canon Speedlite 580EX Flash for Canon EOS SLR Digital Cameras - Older Version

Brand : Canon | Rate : | Price : $640.00
Post Date : Oct 21, 2011 19:38:13 | Usually ships in 1-2 business days


  • Autoflash Speedlite compatible with Canon EOS SLR cameras
  • Accurate exposure with E-TTL II evaluative flash metering
  • High output with maximum guide number 58 at 105mm setting
  • Autozoom and color temperature information for improved flash
  • Fully featured wireless flash capability with built-in slave and transmitter

More Specification..!!

Canon Speedlite 580EX Flash for Canon EOS SLR Digital Cameras - Older Version

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Saturday, October 15, 2011

Canon ST-E2 Speedlite Transmitter for Canon 580EX II, 430EX, 430EX II Speedlites

!±8±Canon ST-E2 Speedlite Transmitter for Canon 580EX II, 430EX, 430EX II Speedlites

Brand : Canon
Rate :
Price : $223.99
Post Date : Oct 15, 2011 15:00:53
Usually ships in 1-2 business days



RE) ST-E2 SPEEDLITE TRANSMITTER

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Sunday, October 2, 2011

Canon Speedlite 580EX II Flash for Canon EOS Digital SLR Cameras

!±8± Canon Speedlite 580EX II Flash for Canon EOS Digital SLR Cameras

Brand : Canon | Rate : | Price : $449.00
Post Date : Oct 02, 2011 20:45:42 | Usually ships in 1-2 business days

D1) CANON SPEEDLIGHT 580EX II FLASH

  • Approx. 20% faster recycling time compared to 580EX
  • Superior build quality, including a metal foot for higher rigidity
  • Max. Guide No. 58 at 105mm setting (GN 190, feet)
  • Auto conversion of flash coverage with compatible digital SLR cameras.
  • White Balance info communicated instantly to compatible digital SLR cameras

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Wednesday, September 28, 2011

The two most popular digital cameras - Nikon and Canon

!±8± The two most popular digital cameras - Nikon and Canon

If we teach our students is the photo-common question, what is the best brand of cameras? Most of the world is due in part to these two brands of cameras, so you can see many pictures of them (especially the incredible Nikon and Canon digital cameras for the money, and those who use a lot of professionals working ).

Well, what if you do not shoot with a Canon or Nikon? No problem, most of the techniques in our online training courses for all digital SLR cameras, and many of thePoint-and-shoot digital cameras.

So if you are using a shooting Sony or Olympus and Sigma, we try not to throw, which is a Nikon or Canon, the most frequently mentioned. Our online courses are not much better to take pictures of how your Nikon or Canon, but since most people with a roll or the other, usually one or more menus or see the camera.

So, when I talk about white balance, white balance and show me the CanonMenu, but you're shooting with Canon, just take a deep breath and say: ". It's all right, [insert the camera name here] I was also a setting for white balance and works very similar to this" Remember, it comes to choosing the right white balance, not to press the buttons on the camera, because if we are really hunting together, we may not have the same brand of camera.


The two most popular digital cameras - Nikon and Canon

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Tuesday, September 20, 2011

Photography 101: White Balance Explained

!±8± Photography 101: White Balance Explained

The term "white balance" comes from the world of video images that uses a device (waveform monitor) to match or "balance" signals from the camera red, green and blue channels to obtain clear whites in different conditions lighting was done, you know balancing. In this article we use "white balance" for digital cameras in a similar way: the process of measuring your temperature light source color precisely, according to lighting conditions and the use of theseInformation correctly balance your whites and colors.

The symptoms of sore white balance

If the camera's white balance is set wrong, or if the camera selected the wrong algorithm to measure the color temperature, then you will have a color to see on screen will be either slightly blue, light orange or light green. A low color temperature of light shifts toward red, a color temperature of light shifts towards the high blue. Different light sources emitTemperatures slightly different color and then the color cast. Let's take a look.

What is the color temperature and how is it measured?

The color temperature is actually the heat from a light source, and the effect that the temperature is issued for the intensity of a particular color in the visible spectrum. For example, a 200-watt light bulb intensity than at the end, orange / red, blue and purple and shows very little intensity. Your photo makes it look "hot."Daylight has an equivalent of the whole spectrum, so that you see purple and blue with the same intensity of oranges and reds. But in the shade or covered with a heavy sky has more intensity in the blue / purple, so that the oranges and reds will have very little strength. It makes your photo look "cool."

Here are some examples of color temperatures of conventional light sources:

1500 K: Candle Light

2800 K: 60 W light bulb

3200 K: sunrise and sunset (being hit bySmog)

3400 K: tungsten lamp (ordinary household bulb)

4000-5000 K: cool white fluorescent tubes

5200 K: bright midday sun

5600 K: electronic flash.

6500 K: cloudy sky

10000-15000 K: deep blue clear sky

Newer light sources such as fluorescent and other artificial lighting, require further adjustments for white balance, because they can make your photos appear green or magenta.

How does a digital camera auto-detect and blackBalance?

The camera looks for a reference point in the scene that represents white. It will then calculate all other colors from this white point and the spectrum of known colors. The RGB data from the sensors is measured by a predetermined number of numbers and equations to figure out what setting the white balance for most work properly. Remember, the automatic white balance, taking care to observe the color of white will be displayedWhite in the photo.

Set the white balance the camera on AWB will provide color accuracy in many conditions. The camera adjusts the white balance of 4000K - 7000K with a best guess algorithm. Auto white balance is a good choice for situations where the light changes over time and the speed is a problem (for example, animal photography, sports photography). However, you should avoid using auto white balance settings in the following situations:

1) the scene is strongly influencedby a color

2) The color accuracy is imperative

3) You are photographing scenes very hot or very cold (eg a sunset)

White Balance Presets

Most digital cameras have white balance presets. These presets work well when:

1) The light source corresponds to one of the preset white balance

2) the scene is heavily dominated by one color

Let the most common default options:

Tungsten - "Tungsten" is the namethe metal used to produce the filament of the bulb. The color temperature of this setting is fixed at 3,000 K. Use the best: at home at night. Otherwise, the show will prove to be blue. Creative Use: Set the exposure compensation to -1 or -2, and use this approach in the light of day and night to simulate.

Fluorescent - The color temperature of this setting is fixed at 4,200 K. Best use: neon, mercury, HMI and metal halide bulbs in your garage, stadiums and parking lots used.Otherwise, the show will prove to be purple.

Daylight - The color temperature of this setting is fixed at 5200 K. Best use: studio strobes. Otherwise, the risk may have a slight blue tinge.

Rain - The color temperature of this setting is fixed at 6,000 K. Best use: direct sunlight and rain. This setting is your image with an orange color, which is often desirable in warm landscapes and portraits. Creative Use: sunsets.

Shade - The colorTemperature of this setting varies from 7,000 K - 8,000 K. Best use: shooting in shade, no direct sunlight (cloudy), backlit scenes. Otherwise, the show turns out to be orange. Creative use: direct sunlight - it warms your photos even more!

Flash - The color temperature of this setting is fixed at 5,400 K. This is almost identical with the clouds, but sometimes redder depending on the camera model. Best use: a cloudy sky. Otherwise, the display will turn red.


Photography 101: White Balance Explained

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Friday, September 16, 2011

Travel with an SLR - Rules for the road

!±8± Travel with an SLR - Rules for the road

So, setting the trip of a lifetime. You know you're going to take too many pictures, but you're bringing your heavy, bulky SLR camera for the journey concerned. You might think that a lot of weight from a save point and a long lighter-style shoot camera, but you are worried about the quality of the images. A dilemma, to be sure.

We try to address these issues at a time. First of all, you should bring the camera, or just go with a car lighter? Now,If you are serious about photography, art and own an SLR, you might not be too happy with the point and shoot. Especially with today's digital SLR cameras, the image quality thanks to the larger sensor makes the image produced by leaps and bounds beyond what can a digital point and shoot, especially in situations where high ISO noise small sensor destroy the image. Also of concern is the depth of field emission. Reflex can provide a depth of more aesthetically pleasing image surface, where, howis a small sensor cameras depth of field with the goal of having open. For people like me, this is the deal breaker.

Other advantages of the SLR is the ability to swap lenses and accessories to be added, but it's true: This article is about travel photography, and you're not going to want to drag this stuff anyway. In fact, I advise you to put on a good wide zoom lens, and be happy. The quality of such lenses have improvedconsiderably over the years, so you get a lot in a small package. In particular, models for the stabilized image to see how you get more flexibility with handheld lead, because they certainly have a tripod.

So if you're packing light, you should have the camera, zoom lens, a filter or two, the camera battery charger and a memory card reader. That's a lot of stuff to carry around already, so resist the temptation to bring something different.You'll thank me later.

Concern for travelers is theft. Basically, this can be treated with common sense measures. Your camera is always the person, or are firmly locked. If you invest in good luggage lock system, you have a place secure enough to keep the camera. Take care and common sense easy. Put the camera from the site may make sense in some areas, because nothing screams "rich foreigners" as a new DSLR.

I hope it was alluseful for you to understand how you can travel with a SLR camera. Many will be happy to do without a lot of this problem and bring only a point and shoot cheap, but really for the serious photographer, camera that can have an amazing thing. Just play smart things, and do not overpack, and you should soon have some amazing images for your travel show.


Travel with an SLR - Rules for the road

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Monday, September 12, 2011

Canon CPE3 Compact Battery Pack for Speedlite 420EZ/540EZ/550EX/580EX

!±8± Canon CPE3 Compact Battery Pack for Speedlite 420EZ/540EZ/550EX/580EX

Brand : Canon | Rate : | Price :
Post Date : Sep 12, 2011 17:00:30 | N/A

Developed with working professional photographers in mind, the new external compact battery pack CP?E3 improves flash recycle times significantly and increases to approximately 432 the number of firings before batteries need to be replaced. The pack takes optional rapid-change magazines that can be loaded with 8 AA-size batteries prior to a shoot to ensure fast, smooth transitions from one battery set to the next ? important in critical shooting situations or to keep up momentum in the studio. The CP?E3 battery pack is also compatible with the Speedlite 550EX, MR-14EX and MT-24EX. Item Specifications: Product Description: Canon CP E3 - battery adapter Product Type: Battery adapter - external Weight: 0.5 lbs

  • Compact battery pack for Canon Speedlite flashes
  • 1.7-second full-power recycling time
  • Up to 432 flashes per charge
  • Renowned Canon quality
  • For use with 420EZ, 540EZ, 550EX, and 580EX Speedlites

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Saturday, September 10, 2011

Canon Speedlite 430EX II Flash for Canon Digital SLR Cameras

!±8±Canon Speedlite 430EX II Flash for Canon Digital SLR Cameras

Brand : Canon
Rate :
Price : $267.95
Post Date : Sep 10, 2011 17:38:08
Usually ships in 1-2 business days



Bringing a new level of versatility and capability to flash photography, the Speedlite 430EX II features a powerful flash (guide number of 141 ft./43m at ISO 100) with a fast recycling time in a compact, durable body. A one-touch quick-lock mechanism makes it easy to attach or detach the 430EX II from the camera and a metal foot has been added for strength and durability. Flash controls can now be set through the camera's LCD screen on compatible EOS Digital SLR cameras. The Speedlite 430EX II is also quieter, recycle time is 20 percent faster (as compared to the 430EX) and since it is compatible with Canon's wireless E-TTL, it can be used as an affordable "slave unit."

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